This
poster, once again, uses yet changes conventions. Most film posters
either use one strong image or merge many film stills together in
order to make a strong poster but this poster uses two separate
images collaboratively to create a strong poster.
The
image of the stories two protagonists is definitely, for me, the
aspect of this poster that sells the film the most. The framing of
the image uses the depth of field to create a sense of drama and
importance in these two characters because the female lead is larger
and looking tranquil whilst notorious Mr Darcy is approaching,
looking stern and occupied. The reason that the image below works
coherently with the one above is because both are using only sunlight
and have the same tan pallet which makes them feel like they're taken
at the same time of day.
It
also feels important that the images are broken up by the text
instead of the text working on top of the images. Like the other two
film posters, it uses a traditional, easy-to-read font to convey it's
necessary sense of timelessness and romance. In fact, the logo
doesn't so much look like a logo as much as just two words typed
together which works because of how understated and notorious the
story is. Once again, heritage of the stories are a selling point.
The names of the actors are equally understated and, seemingly,
unimportant to the overall impression of the film and its poster.
The
film uses the conventional small print that gives out important
information about the films production such as the director,
producers and script writers. However, in scale to the images and
other texts it feels slightly smaller than usual and slightly
unreadable. To a certain extent, though, it isn't so much the point
to read this section of the poster – it is more the fact that it is
just there.
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