Camera Workshop

As part of my process, I partook in a camera workshop to ensure I was cinematically ready for filming and to ensure I was prepared for the problems that may arise when filming. The things I learnt were:

● Be aware of principle shots and have a detailed shot list. Improvisation on a set isn’t always productive.

● Try to avoid taking shots without a tripod unless I want a handheld or POV feel (which I most likely will not as this is not conventional for my genre).

● Leave around 3 seconds before and after a take in order to allow myself editing time.

● When composing / placing a shot make sure that I keep to the rule of thirds in order to make an aesthetically pleasing shot. Also, make sure that there is headroom within a shot as cutting off the top of an actors head looks unprofessional.

● When filming a tracking shot use a dolly cam (if the terrain allows it) and make sure you leave walking room within a shot in the direction the actor is walking.

● There is a big difference between zooming and progressively moving with the camera. To dolly the shot looks more professional as it gives the shot more depth of field as more is changing in the visions of the viewer.

● When getting into a performance space, spend the time to do detailed blocking and rehearsal with your actors to ensure the shots you create are professional and usable.

● Film a conversation / scene at least 3 times from different angles. As my films is dialogue based and is a period drama, I will need to film many different angles (especially since each scene has a minimal of 3 people).

● Never cross a line of actions. Meaning that all drama should be shot from the same side as it means it will always have the same background.

● Be aware of the importance of continuity. Take pictures of the set and actors in detail in case re-shoots have to take place and the shots used in the final take feel natural and in the same time frame.

● When framing, ensure that the light does not limit the depth of field (unless this is what is desired). Light is important as it, essentially, effect mise-en-scene but also the aesthetic of your shots.

● In terms of camera positioning and movement there is a lot to consider. The main points being that all shots shot be considered, from low angle to high angle, from static to shaky. They all convey something and it is my job as director to ensure these shots are thought out deeply and properly.